Before Watchmen: Minutemen #1
Art and Story by Darwyn Cook
DC Comics
$3.99
Only a week ago, something pushed me to rewatch the movie A.I. For those of you not up on such
film nerd eccentricities, A.I. was a creepy
sci-fi film about an automaton Pinocchio that was written by Stanley Kubrick (Clockwork
Orange and many other classics) and directed by Steven Spielberg (Raiders of
the Lost Ark and just as many classics). For the purpose of this review, it is
important to note that Spielberg rewrote and directed A.I. as a favor to
Kubrick after his passing. It is also important to note that in Kubrick’s
absence Spielberg treaded carefully to bring Kubrick’s original vision to
light…up until the film’s last 30 minutes. It is during A.I.’s forced happy
ending that Spielberg takes complete control of what was --- up until that
point --- an overwhelmingly brilliant film. It’s wonderful to watch and
incredibly frustrating to finish.
Which brings me to Before Watchmen, DC Comics’ questionable revisiting
of Alan Moore’s seminal Watchmen mini-series.
Darwyn Cooke has the unenviable task of writing the first
book of eight new Watchmen minis. His Minutemen #1 attempts to detail (and
seeing how incredibly detailed the original Watchmen is, I use the term
loosely) the inevitably tragic back-story of the world’s first crime fighters.
Like Spielberg, Cooke does everything with the level of
class, competency, and respect that Watchmen deserves. He toys around with visual
language, he references situations from the pages of the original, and he
carefully reminds the reader that these troupes will be skewed by the
inevitable ugliness of a less-than-perfect world. However, a matching level of intensity
is absent. That looming cloud of uncertainty and frustration that made the
world of Watchmen such a unique experience is gone. Basically, it doesn’t have the
combined efforts of Moore and artist Dave Gibbons to make it convincing.
Sure, the intentions behind the Minutemen story and the
original Watchmen are different. Moore
depicted a world in which a televised doomsday clock was constantly counting
down to the world’s end. Cooke’s story takes place decades earlier, during a
time of innocence. However, that doesn’t change the fact that things are
destined to go bad for all the characters involved. With that understood, it
stands to reason that pessimism is one of the defining traits of the Watchmen
world. Judging by his interviews on the new series, Moore
has that moodiness in spades, Cooke…not so much.
DC has assembled the right talent to attempt to preface Moore’s
classic. I don’t doubt that any of these talents have anything but love for the
original work. If anything I almost want to believe that they signed on to
Before Watchmen to protect it. However --- like in the case of A.I. --- something great always gets lost amidst all
that adoration.
Creator-Owned Heroes #1
Stories by Jimmy Palmiotti, Justin Gray, and Steven Niles
Various artwork by Phil Noto and Kevin Mellon
$3.99
Image Comics
The unfortunately named but well-intentioned Creator-Owned
Heroes is Image Comics’ attempt to show you what storytelling diversity the
publisher can offer. The first issue offers two brand-new action-adventure
tales, as well as a handful of distracting interviews with a cosplaying duo,
Steve Niles, and Neil Gaiman.
American Muscle by Steve Niles and Kevin Mellon is a
post-apocalyptic western on classic wheels. It’s followed by Jimmy Palmiotti, Justin
Gray, and Phil Noto on Trigger Girl 6, a campy, mid-air spy adventure. Both
stories have considerable charm but could desperately benefit from a second
issue to hook the reader in.
There are plenty of arguments about what pulls virginal
readership into the comics industry. Regardless of what your take is on
expanding the market, the simplest solution seems to be more bang for your
buck. Currently, Dark Horse Presents and Clint seem to accomplish this by
providing magazine-styled, anthology comics to non-direct markets. Hopefully,
in a few more issues Creator-Owned Heroes can match the monthly diversity of
DHP along with the hilariously sarcastic articles found in Clint. As for now,
the amount of bang you get for $3.99 feels minimal.
WEEKLY