Two-Lane Blacktop (1971)
By Hervé St-Louis
March 23, 2016 - 17:46
Studios: Michael Laughlin Enterprises, Universal Pictures
Writer(s): Rudy Wurlitzer, Will Corry, Floyd Mutrux
Starring: James Taylor, Warren Oates, Laurie Bird, Dennis Wilson
Directed by: Monte Hellman
Produced by: Michael Laughlin, Gary Kurtz
Running Time: 103 minutes
Release Date: 28 October 1972
Rating: R (Restricted)
Distributors: Anchor Bay Entertainment, The Criterion Collection
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Two-Lane Blacktop is a classic road movie from 1971 that has achieved cult status with many fans because of its French New Wave and existentialist influences. Characters come and go. Relationships form and end abruptly. There is no point to this film but the love of driving and helping your fellow human drive the best.
The Driver played by singer James Taylor almost never talks. The Mechanics, the Beach Boys’s Dennis Wilson speaks a bit more but is as stoic and cold as his partner. They have no need for words. Companionship is cemented through the love of driving the long open roads of the America. The Girl is barely legal with boyish looks and a tough careless attitude. She loves each of her buddies and plays them against one another, although to some degree, neither cares about the opportunity to compete for her affection or gaze.
GTO, the man of a thousand stories who should not be driving a car whose power he cannot control gladly gives up his car for the passenger seat after being offered a boiled egg as a token of friendship. He lets the mechanic plow through his Mustang’s engines and fix whatever stops the car from reaching its full potential. GTO is standoffish sometimes, but he really wants to connect and mesmerize his passengers with his lies and stories about what got him where he is.
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What is poignant about the film is how casual everything is. This was subversive in 1971. Today, we call this post-modern. And this is one of the thing that Two-Lane Blacktop shows well. There is a transition in the times. Society is moving from a mechanical and industrial modernism to another one where the deed of a car seemingly has more value than the car itself. The deed represents the onset of the post-modern times where value is on intangible property not the physical goods. But in the end no one cares about the deed. It was never enough to motivate Driver, Mechanic, and GTO.
The Girl is just there for the massages and being the ultimate backseat driver. Ignore this movie if all you want to see are drag races. Most are inconclusive. Nothing is cemented in this film. We know nothing about who these people are or even their names. Even the cars change plates frequently! A must for open-minded viewers.
Rating: 8.5/10
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