The Tick: The Complete Edlund
By Zak Edwards
December 26, 2009 - 23:26
New England Comics
Writer(s): Ben Edlund
Penciller(s): Ben Edlund
Cover Artist(s): Ben Edlund
$35.00 US
Remember the Tick, possibly from the TV shows, animated or very short lived live action? To be honest, I only knew The Tick from the animated show which played when I was fairly young so a chance to encounter the original material in one convenient package was very tempting for me. I must say, this genre of satire has the tendency to be just plain stupid rather than absurd, but the pull of The Tick when it came out must have been how blatant it is while satirizing the whole superhero genre and conventions. In a word, Spoon!, but that may just be the fact I have consumed a significant amount of Tick recently without proper supervision.
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Spoon! |
But the Tick is not limited solely to satirizing superheroes, Edlund also makes use of many other pieces of pop culture. For example, the road trip issues are sheer brilliance, combining the buddy comedy and superhero antics with a dash of Planes, Trains, and Automobiles for good measure. The famous Playstation 2 shaped black box from 2001: A Space Odyssey allows for an intoxicated Arthur to have his ‘dawning’ in another laugh out loud moment, the hard-boiled detective and samurai story are also all given their time to be poked and prodded, which makes the stories even farther reaching and ambitious. Edlund’s satire and comedy comes from so many different places and works on different levels, even within the art itself, that it can be reengaged with and thought about multiple times. Basically the entire book is a giant laugh, from start to finish, even if the finish isn’t even done by Edlund. My sole complaint about this collection is the cost. Thirty-Five dollars US is a lot for thirteen black and white issues considering X-Men collections of the same amount of issues are the same price and they are in colour and on better quality paper.
As for Edlund’s art, it plays with the stereotype as much as every other aspect of the book. The Tick, of course, is the stereotypical over muscled man who is more brawn than brain and characters like him are constantly encountered, including the other Tick, who cannot compete with the original Tick’s impenetrable shield of ignorance and stupidity. As I mentioned earlier, the comedy can appear in different places physically within the frame, with Edlund maximizing space through silent pieces of humour in the background, like the destruction of the Daily Planet globe. While The Tick has since moved to colour, the black-and-white used here, probably being more of a financial choice than anything else, is still very well done. It’s crisp and clear, doing exactly what it needs to without any sort of indulgence. No panel feels quickly gone through in any way, with each one looking as if Edlund seriously considered it important and worthy of attention. Too often less important panels are sort of washed over in order to focus on big spreads, but none of this sort of ethic appears in these issues. In fact, there are no giant spreads in the entire book, all 400 pages, which is also refreshing in itself.
9/10 What a great buy, if but a little pricey.
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