Superbad
By Geoff Hoppe
September 2, 2007 - 21:01
Superbad (2007)
Starring: Jonah Hill, Michael Cera, Christopher Mintz-Plasse, Bill Hader, Seth Rogen, Kevin Corrigan, Joe Lo Truglio, Martha MacIsaac, Emma Stone, Aviva, and Erica Vittina Phillips
DIRECTOR: Greg Mottola
WRITERS: Seth Rogen and Evan Goldberg
PRODUCERS: Judd Apatow and Shauna Robertson
RATING: MPAA – R for pervasive crude and sexual content, strong language, drinking, some drug use, and a fantasy/comic violent image – all involving teens
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Not that I didn’t enjoy Superbad, but it reminded me of everything I utterly loathe about high schoolers. Not high school itself-- the movie’s funniest moments are about high school life, and the writers have a firm grasp of the messy details of secondary education’s hollow glories. No, it’s the casual , frightened self-importance of the players in this hormone soaked drama. They’re too realistic, too unsettlingly close to home.
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In Superbad, three friends (actually, two friends and a third wheel they sort of abuse) try to get liquor for a party. They’re underage (OMG HILARITY !!!1), so hijinx inevitably follow. The two protagonists, Evan (Michael Cera) and Seth (Jonah Hill), are after booze to impress their crushes, and their sidekick, Fogell (Christopher Mintz-Plasse), is along for the ride because he has a fake ID.
Superbad has its moments, but as a whole, it doesn’t hold together. The humor builds (brilliantly) for about thirty minutes, but then descends into the “OH NO HE DI-INT ROTFLOL” basement. The jokes go from funny to tiresome, and comic timing takes a backseat to yelling. Superbad is hilarious so long as the comedy is about high school. Like many a high schooler, though, it becomes dull and mindless when it ventures off campus and into the real world.
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Superbad is occasionally side-splitting, but too often depends on shock instead of humor. If I’m desperate to see gross and unusual behavior, I can volunteer at a prison or an asylum, and I won’t have to pay ten bucks. Superbad lacks the same exuberance that makes classics like Blazing Saddles and The Naked Gun work. Like a tenth grader who writes the answers on his shoes to cheat, Superbad clearly has initiative and potential, but very little intelligence in the execution.
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