Catwoman has left Batman at the rooftop altar and moved to another city where Catwomen impostors are committing crimes and framing Selina Kyle. Can Kyle clear her name?

If you read Batman #50-51 at the same time as this issue, you will feel that that Joëlle Jones’s script is not as strong as Tom King’s work. This is not a problem as the story puts Catwoman in a new setting and gives her a new villainess and problems to deal with. The relationship with Batman is barely mentioned. As a first issues, it feels more like a spinoff, which it is, instead than a spectacular return to Catwoman. Hence, unlike the previous series, this one feels less like it is capable of standing on its own or even has its own genre. There is no crime noir here.