By Dan Horn
March 22, 2011 - 22:13
I really enjoy how Remender plays with the team dynamic. Everyone has a role, and every battle is like a game of chess. There's always a decisive strategy, and then a counter-strategy involved in the story's plotting. It's always cool to see these characters powers used in adverse ways. If I had one complaint, though, it would be that Fantomex seems ridiculously overpowered. But then, of course, he's the guy who can't really be trusted at the moment, so maybe his supremacy isn't such a gift to the team as much as it is a liability.
Not only are powers' potentials explored really well in Uncanny, but team interactions, their
loving and loathing of each other, are played off perfectly. The characters are
for the most part rounded out very well. And no one writes a crazy Deadpool
like Remender, not even Lapham.
It's really incredible to see the layered foundation Remender is laying here
early on. Warren was already a schizoid, which hasn't yet been fully explored
in Uncanny, but events like Fantomex's cold-blooded action creating an irreparable
rift in the team, and this issue's Lady Deathstrike "upload" left me
grinning and saying, Rick's got something huge planned for this series. Even
the stand-alone issues are driving us toward something much larger than what
we've seen so far, and "so far" has already been mind-blowing.
I'd also like to think Rick stole the line about Deathstrike's pontificating
diatribes from one of my early reviews of his Punisher (decide for yourself here). Maybe I give myself too much
credit, but you can't blame a guy for recognizing his own semantic handiwork.
I'll let it slide this time, Remender. I'm kidding of course. But seriously...
On to the art: Uncanny X-Force has
thus far been a rare title that's handily evaded the interim artist curse,
displaying consistently impeccable layouts, finishes, and colors with every
issue. I thought Opena's stuff couldn't be topped, and then Ribic and Lucas
with issue five made me eat my own words. With this issue, it's astonishing to
see Rafael Albuquerque put his virtuosic craft to use on a super hero book.
Albuquerque channels all of the darkness, depth, and cartoonish-ness of the best
2000 AD artists. It's a hard balance
to maintain, but Rafael's style never falters. I'd love to see him do more work
like this outside of American Vampire, even
though I'd hate to see him take too much time away from that book.
Rating: 8.5 /10