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Midnighter and Apollo #6: A Review
By Zak Edwards
March 3, 2017 - 19:35
I have two confessions. One, I haven’t read
Midnighter or Apollo books since Millar’s run on The Authority. Two, I haven’t read much of this series, either.
Opening onto a page where Midnighter’s getting the crap kicked out of him in Hell, by Hell, was quite the shock. It was like missing a season of TV and they’ve
leaned hard into a new concept, like that time travel season of
Felicity or when
Mad Men was still about the ads. But when the original concept has been done to death, like
The Authority’s “widescreen”
superheroics or
Parks & Recreation being a little too much like
The Office at its outset, it’s time for something new that becomes something new, different and more itself.
The Authority was about superheroes being super violent and what that means. It was a big, loud
Watchmen derivation. If Rorschach was Batman but poor, Midnighter was Batman if he murdered. Apollo, too, was a Sun God, like Superman before but with a penchant for “doing what it takes.” They were a couple, just like the internet wished for their originals, and then their publisher went through some stuff and they were gone.
When they reappeared, it was
Midnighter at the forefront, audacious and proud, and, from what I can tell from everyone who read it, it clicked. It went from Leslie Knope, Michael Scott surrogate, to Leslie Knope, full stop. And here, I get the absolute pleasure of seeing a story about two crazy powerful men who love each other come to a beautiful, sentimental conclusion. That, almost more so than the Hell intro, surprised me and it has me already ordering Midnighter to get the full story.
The original concept for the series from which these characters come could not hold this kind of story. It was cynical and snide with cynical, snide characters. Here, we have those characters, still cynical and snide, but in a world that can tell more of their story. And it’s beautiful.
tl;
dr review: Wondrous.
Last Updated: August 31, 2023 - 08:12